Just like Landscape Demo 1 - Fantasy landscape built for fun. 4 days of work. Fully interactive day and night cycle. Unreal Engine 5.

Fantasy landscape built for fun. 4 days of work. Fully interactive day and night cycle, including eclipses from the moons. Unreal Engine 5.

Demo level and tech talk to support and explain the release of the water features in Unreal Engine. Talk received 400 000 views. Unreal Engine 4.

Demo and tech talk aimed at introducing and explaining the Sky and Atmosphere feature in Unreal Engine, as well as the new volumetric clouds. 500 000+ views. Unreal Engine 4.

Demo and tech talk that introduced and explained Raytracing as it got introduced to Unreal Engine 4. Presented at GDC.

Introduced and explained Volumetric Fog as it was introduced to Unreal Engine 4. Demo and Tech talk, presented at GDC. 200 000 views.

Demo and tech talk to walk the audience through setting up an enviroment and a cinematic in Unreal Engine 4 in under 60 minutes.

Demo and tech talk to showcase how to set up an environment and basic stealth game in Unreal Engine 4 in under 60 minutes.

All the levels in the game The Solus Project. Unreal Engine 4. Fully dynamic day and night, weather systems including rain, snow, hail, tornadoes; disasters such as meteor strikes and earthquakes, temperature swings. And so forth

Built and lit a large portion of a Unmechanical level in Unreal Engine 3, defining its visual style, mood, and technical performance across PC and iOS. Handled environment art, lighting, particles/FX, and optimization, with limited involvement in gameplay design.

Developed and unified the visual style across multiple Unmechanical levels (Pacemaker, Underground, Factory) in Unreal Engine 3 for PC and iOS. Built environments, handled lighting and FX work, contributed minor puzzle design, and ensured optimization and technical consistency throughout.

Designed and built the central gameplay area of a multiplayer FPS level for Rekoil in Unreal Engine 3, contributing to overall layout alongside the team. Set up the visual direction, lighting, color grading, and environment polish ensuring a cohesive look across the level and the rest of the game.

Refined and unified a multiplayer FPS level for Rekoil in Unreal Engine 3, working from an existing gameplay layout. Handled lighting, color grading, and visual polish, enhancing environments and architecture to achieve a cohesive final look.

Designed the full gameplay and floorplan for a multiplayer FPS level in Rekoil (Unreal Engine 3), completed in just 4 days. Built the environment from scratch, handling geometry, lighting, color, detailing, and asset creation to deliver a fully realized level.

Developed and polished a multiplayer FPS level for Rekoil in Unreal Engine 3, based on an existing layout. Handled lighting, color grading, and visual cohesion to achieve a consistent final look.

Designed the full gameplay and floorplan for a multiplayer FPS level in Rekoil (Unreal Engine 3), completed in just 5 days. Built the environment from scratch, handling level geometry, lighting, color, detailing, and asset creation for a complete, polished level.

Expanded and refined a multiplayer FPS level layout for Rekoil (Unreal Engine 3) from an existing layout, completed in just 4 days. Built the environment from scratch, handling geometry, lighting, color, and post-processing.

Refined and unified multiple multiplayer FPS levels for Rekoil in Unreal Engine 3, working from existing gameplay layouts by the team. Handled lighting, color palettes, post-processing, detailing, and optimization to ensure visual consistency and performance across levels.

Polished environments for a publisher demo prototype in Unreal Engine 3, creating lighting, skies, particle effects, post-process, color correction, advanced materials, and unifying texture palettes.

Singleplayer DLC level for the game The Ball, made as part of the Potato Sack Portal 2 launch campaign, in cooperation with Valve. Designed the overall grand layout and goal of the level, and created most environment assets while unifying the art style, lighting, and optimization.

Singleplayer levels for the game The Ball, contributing to environment art, lighting, and visual polish while working with the team to create cohesive gameplay experiences.

Singleplayer levels for the game The Ball, focusing on environment art creation, lighting design, and visual consistency across the game world.

Singleplayer levels for the game The Ball, contributing to environment art, lighting, and visual polish while maintaining consistency with the game's artistic direction.

Singleplayer levels for the game The Ball, contributing to environment art creation, lighting design, and visual consistency across multiple levels while working with the development team.

Prototype areas for the first few playable builds of Syndicate, building brush-based environments and handling lighting and color design for cutscenes, fly-bys, and style setting.

Small DM map set in an atmospheric canyon. The first custom level to be released for PS3 ever with the help of Epic Games. Created almost entirely by myself.

An estate on top of a spire. Both teams spawn in the gardens surrounding the house, and fight out their battle in the central hallway. Made in four days!

A large shanty town, dominated by a massive pipeline cutting through the valley, leaking acid. A commercial project created with Webzen's art team assets.

Struck by a meteor, the medium sized CTF level takes place on the edge of the crater. Created with Webzen's art team assets and additional terrain modeling.

A square in a city ruined by a devastating earth quake, that created a series of deep crevices cutting through the area. Created with Webzen's art team assets.

A high tech futuristic Deathmatch level set in a cold environment. Created with Digital Extremes art team assets and additional custom content.

A medium sized rusty industrial Capture The Flag level. Created with Digital Extremes art team assets and additional custom content.

The world Parliament is made up out of four huge outdoor levels. It has multiple areas such as the Hawksmouth canyon with a city and a forest, a huge Midland world with a large forest as well as farmland, a Swamp area and a Lowlands Forest world with a large moor. The entire world is 1000 times larger than an average UT level.

Slywood is part of the world Ringfell and is one of the more scary and darker areas of the game - Commercial Project - Unreal Engine 2 - Screenshots may not represent the level as it is found in the game.

The world RingFell is made up out of four huge outdoor levels. It has two main areas: Upper and Lower. While the upper area is wet and lush, the lower areas are very desolate and dead. The lower area was once the bottom of a sea. The entire world is roughly a 1000 times larger than the average UT level.

A raftyard is a group of inhabited floating rocks in the Deadspell Storm - Commercial Project - Unreal Engine 2 - Screenshots may not represent the level as it is found in the game.

A raftyard is a group of inhabited floating rocks in the Deadspell Storm - Commercial Project - Unreal Engine 2 - Screenshots may not represent the level as it is found in the game.

A very large and inhabited raftyard on which an hostile fortress is build. The level is the headquarters of the Glaive faction, one of the main enemy clan the player faces in the game.

The magical storm that surrounds the playable worlds. The players must travel through it using airships to go from one world to another.

The not-so-Green District, part of the capital city Quarterstone, was been hit by a chemical explosion in the past and has been abandoned ever since.

A large citadel in which scholars were housed. The citadel was ruined and abandoned after a chemical explosion that also wrecked much of the surrounding Green District.

An Ancestral Quest instance set in a dark and spooky swamp.

An Ancestral Quest instance set in a rocky area with a small temple and a large underground cave system.

An Ancestral Quest instance set in a rocky area with a large demon camp.

Two trial caves for players to test their skills against increasingly difficult enemies.

The capital city of the game world, featuring multiple districts and environments.

Various smaller environments and areas created for the game.

Redkin is an industrial timepiece, forgotten and lost in the depths of the Na Pali Siloris' Canyon. Built into the cliff side no human has set foot in the facility for years.

A map set in a rocky desert environment with ancient ruins and a central oasis.

Two Skaarj bases battle each other on the banks of a small river.

A map set on a forgotten beach where ancient shipwrecks and aged rocks become the battlefield for an epic confrontation.

A deserted building, serving as a refuge for those who seek shelter from the freezing world outside. Ice cold level set in a combination of a standard industrial building combined with fantasy.

A level set in a futuristic industrial environment with advanced machinery and complex architecture.

Medium sized Warm fantasy styled level. The level takes place around a lush create with two bases on opposite ends. The crates two center nodes and various ways in and out create interesting gameplay.

Small indoor level set in a building with a mix between Industrial and natural. First level of the singleplay game.

A lush valley with a dried up riverbed in the middle. Torlan means "on the river shores".

A dark gloomy cavern. Loosely inspired by Unreal's Rrajigar level.

Very large medieval inspired level set on the shores of a large frozen river.

Set in a dark factory this level provides hardcore gameplay with a thunder storm raging outside.

Small level set in a very atmospheric estate during a calm summer night. A murder just took place and one can feel the mysterious death everywhere in the level.

Medium sized Deathball Level set inside the cargo area of a futuristic ship.

A very tall and vertical sci fi level with an abstract style.

Add on singleplay level for the Mod Xidia. The entire add on doubled the size of the Mod and brought the number of levels to 17.

A large singleplayer campaign set on the planet Na Pali, continuing the story from Unreal.

A Capture the Flag level set in an industrial facility with multiple routes and strategic positions.

A deathmatch level set in an Egyptian-themed temple complex.

Sion is an industrial level with loads of ramps and z action.

Large flat and open level with high tech buildings, loosely inspired by Aliens.

Small and indoor industrial level, a thunderstorm rages outside. Close combat level.

Ortican was my first single player level and was set in a rocky valley with a huge high tech base in the middle. The goal was to infiltrate the base and assassinate the Queen inside.

A Capture the Flag version of the Ortican level, adapted for team gameplay with strategic flag positions.